Ereignis
Kontemplation
Erwartung
* from the Glossary of my Diploma → dipl.designer.paul-juergens.de
Langsamkeit
Stille
Pause
Absichtslosigkeit
Ewigkeit
Alltag
Ablenkung
Unproduktivität
Gegenwart
Endlos
Ende
Jetzt
Vergangenheit
Aufmerksamkeit
Dauer
Ziellos
Anfang
Happening
Zeit
Leerstelle
Nichts
Warten
Zwischenraum
044.1 SCHEME TQW Zine #3
A zine for Tanzquartier Wien that goes backstage — showing scores, notes and works in progress. Edited by Mira Mann and Jonas Höschl, with contributions spanning dance, visual art and political practice. With contributions by Mira Mann, Jonas Höschl, Hana O. O. Haas, Bernd Oppl, Kurdwin Ayub, Seda Pesen, Ian Kaler, Schandwache / Simon Nagy, Sophie Thun, Julischka Stengele, Total Refusal, Verifiziert, KEINE LIEBE Kollektiv / Paula Thöner, Safira Robens and Mavi Phoenix.
044.1 SCHEME TQW Zine #3
A zine for Tanzquartier Wien that goes backstage — showing scores, notes and works in progress. Edited by Mira Mann and Jonas Höschl, with contributions spanning dance, visual art and political practice. With contributions by Mira Mann, Jonas Höschl, Hana O. O. Haas, Bernd Oppl, Kurdwin Ayub, Seda Pesen, Ian Kaler, Schandwache / Simon Nagy, Sophie Thun, Julischka Stengele, Total Refusal, Verifiziert, KEINE LIEBE Kollektiv / Paula Thöner, Safira Robens and Mavi Phoenix.
044.1 SCHEME TQW Zine #3
A zine for Tanzquartier Wien that goes backstage — showing scores, notes and works in progress. Edited by Mira Mann and Jonas Höschl, with contributions spanning dance, visual art and political practice. With contributions by Mira Mann, Jonas Höschl, Hana O. O. Haas, Bernd Oppl, Kurdwin Ayub, Seda Pesen, Ian Kaler, Schandwache / Simon Nagy, Sophie Thun, Julischka Stengele, Total Refusal, Verifiziert, KEINE LIEBE Kollektiv / Paula Thöner, Safira Robens and Mavi Phoenix.
044.1 SCHEME TQW Zine #3
A zine for Tanzquartier Wien that goes backstage — showing scores, notes and works in progress. Edited by Mira Mann and Jonas Höschl, with contributions spanning dance, visual art and political practice. With contributions by Mira Mann, Jonas Höschl, Hana O. O. Haas, Bernd Oppl, Kurdwin Ayub, Seda Pesen, Ian Kaler, Schandwache / Simon Nagy, Sophie Thun, Julischka Stengele, Total Refusal, Verifiziert, KEINE LIEBE Kollektiv / Paula Thöner, Safira Robens and Mavi Phoenix.
044.1 SCHEME TQW Zine #3
A zine for Tanzquartier Wien that goes backstage — showing scores, notes and works in progress. Edited by Mira Mann and Jonas Höschl, with contributions spanning dance, visual art and political practice. With contributions by Mira Mann, Jonas Höschl, Hana O. O. Haas, Bernd Oppl, Kurdwin Ayub, Seda Pesen, Ian Kaler, Schandwache / Simon Nagy, Sophie Thun, Julischka Stengele, Total Refusal, Verifiziert, KEINE LIEBE Kollektiv / Paula Thöner, Safira Robens and Mavi Phoenix.
044.1 SCHEME TQW Zine #3
A zine for Tanzquartier Wien that goes backstage — showing scores, notes and works in progress. Edited by Mira Mann and Jonas Höschl, with contributions spanning dance, visual art and political practice. With contributions by Mira Mann, Jonas Höschl, Hana O. O. Haas, Bernd Oppl, Kurdwin Ayub, Seda Pesen, Ian Kaler, Schandwache / Simon Nagy, Sophie Thun, Julischka Stengele, Total Refusal, Verifiziert, KEINE LIEBE Kollektiv / Paula Thöner, Safira Robens and Mavi Phoenix.
044.1 SCHEME TQW Zine #3
A zine for Tanzquartier Wien that goes backstage — showing scores, notes and works in progress. Edited by Mira Mann and Jonas Höschl, with contributions spanning dance, visual art and political practice. With contributions by Mira Mann, Jonas Höschl, Hana O. O. Haas, Bernd Oppl, Kurdwin Ayub, Seda Pesen, Ian Kaler, Schandwache / Simon Nagy, Sophie Thun, Julischka Stengele, Total Refusal, Verifiziert, KEINE LIEBE Kollektiv / Paula Thöner, Safira Robens and Mavi Phoenix.
044.1 SCHEME TQW Zine #3
A zine for Tanzquartier Wien that goes backstage — showing scores, notes and works in progress. Edited by Mira Mann and Jonas Höschl, with contributions spanning dance, visual art and political practice. With contributions by Mira Mann, Jonas Höschl, Hana O. O. Haas, Bernd Oppl, Kurdwin Ayub, Seda Pesen, Ian Kaler, Schandwache / Simon Nagy, Sophie Thun, Julischka Stengele, Total Refusal, Verifiziert, KEINE LIEBE Kollektiv / Paula Thöner, Safira Robens and Mavi Phoenix.
041. Gerhard-Altenbourg-Preis 2025
Dieter Appelt Gerhard-Altenbourg-Preis 2025, Book design for Kerber and Lindenau-Museum Altenburg
Since the 1960s, Berlin-based artist Dieter Appelt has used photography to confront loss, transience, and the conditions of human existence. Trained as a musician and opera singer, he turned to photography as a way to reconnect with nature, myth, and time. In many of his actions, he used his own body as both subject and material — staging images that oscillate between ritual, endurance, and transformation.
Typography as structure.
Image as trace.
041. Gerhard-Altenbourg-Preis 2025
Dieter Appelt Gerhard-Altenbourg-Preis 2025, Book design for Kerber and Lindenau-Museum Altenburg
Since the 1960s, Berlin-based artist Dieter Appelt has used photography to confront loss, transience, and the conditions of human existence. Trained as a musician and opera singer, he turned to photography as a way to reconnect with nature, myth, and time. In many of his actions, he used his own body as both subject and material — staging images that oscillate between ritual, endurance, and transformation.
Typography as structure.
Image as trace.
041. Gerhard-Altenbourg-Preis 2025
Dieter Appelt Gerhard-Altenbourg-Preis 2025, Book design for Kerber and Lindenau-Museum Altenburg
Since the 1960s, Berlin-based artist Dieter Appelt has used photography to confront loss, transience, and the conditions of human existence. Trained as a musician and opera singer, he turned to photography as a way to reconnect with nature, myth, and time. In many of his actions, he used his own body as both subject and material — staging images that oscillate between ritual, endurance, and transformation.
Typography as structure.
Image as trace.
041. Gerhard-Altenbourg-Preis 2025
Dieter Appelt Gerhard-Altenbourg-Preis 2025, Book design for Kerber and Lindenau-Museum Altenburg
Since the 1960s, Berlin-based artist Dieter Appelt has used photography to confront loss, transience, and the conditions of human existence. Trained as a musician and opera singer, he turned to photography as a way to reconnect with nature, myth, and time. In many of his actions, he used his own body as both subject and material — staging images that oscillate between ritual, endurance, and transformation.
Typography as structure.
Image as trace.
041. Gerhard-Altenbourg-Preis 2025
Dieter Appelt Gerhard-Altenbourg-Preis 2025, Book design for Kerber and Lindenau-Museum Altenburg
Since the 1960s, Berlin-based artist Dieter Appelt has used photography to confront loss, transience, and the conditions of human existence. Trained as a musician and opera singer, he turned to photography as a way to reconnect with nature, myth, and time. In many of his actions, he used his own body as both subject and material — staging images that oscillate between ritual, endurance, and transformation.
Typography as structure.
Image as trace.
041. Gerhard-Altenbourg-Preis 2025
Dieter Appelt Gerhard-Altenbourg-Preis 2025, Book design for Kerber and Lindenau-Museum Altenburg
Since the 1960s, Berlin-based artist Dieter Appelt has used photography to confront loss, transience, and the conditions of human existence. Trained as a musician and opera singer, he turned to photography as a way to reconnect with nature, myth, and time. In many of his actions, he used his own body as both subject and material — staging images that oscillate between ritual, endurance, and transformation.
Typography as structure.
Image as trace.
041. Gerhard-Altenbourg-Preis 2025
Dieter Appelt Gerhard-Altenbourg-Preis 2025, Book design for Kerber and Lindenau-Museum Altenburg
Since the 1960s, Berlin-based artist Dieter Appelt has used photography to confront loss, transience, and the conditions of human existence. Trained as a musician and opera singer, he turned to photography as a way to reconnect with nature, myth, and time. In many of his actions, he used his own body as both subject and material — staging images that oscillate between ritual, endurance, and transformation.
Typography as structure.
Image as trace.
046.1 I LOVE MUSIC
A poster series of nine for listening sessions with artists in Berlin's Hansaviertel, organised by Leonie Herweg / Grotto Berlin.
027. Stadtlabor Richtsberg
A series of 104 posters for Stadtlabor Marburg, welcoming new and existing community spaces in the Richtsberg neighbourhood. Each poster produced in six languages.
042. On Having Cake and Eating It Too
A publication collecting 21 letters by Lara Bellon.
042. On Having Cake and Eating It Too
A publication collecting 21 letters by Lara Bellon.
042. On Having Cake and Eating It Too
A publication collecting 21 letters by Lara Bellon.
042. On Having Cake and Eating It Too
A publication collecting 21 letters by Lara Bellon.
042. On Having Cake and Eating It Too
A publication collecting 21 letters by Lara Bellon.
042. On Having Cake and Eating It Too
A publication collecting 21 letters by Lara Bellon.
042. On Having Cake and Eating It Too
A publication collecting 21 letters by Lara Bellon.
038. Jugendschutzgesetz
The youth protection act must be visibly displayed in every café, bar and restaurant — usually it ends up somewhere between the door and the counter. A poster for Cafe Tiergarten Berlin that turns obligation into something worth looking at. Available in their online shop.
038. Jugendschutzgesetz
The youth protection act must be visibly displayed in every café, bar and restaurant — usually it ends up somewhere between the door and the counter. A poster for Cafe Tiergarten Berlin that turns obligation into something worth looking at. Available in their online shop.
030.1 In Situ
A reader published by windpark books on the occasion of the exhibition In Situ – On Haunted Places and New Memory Culture at Kunsthalle Darmstadt, curated by Jonas Höschl, Kai Altheim and Schmidt Occino. With texts by Schandwache, Abie Franklin, Bastian Gehbauer, Leon Kahane, Hannah Katalin, Talya Feldman, Jonas Höschl and Kai Altheim.
039.2 Raum für kulturelle Fragen
Logo animation for a cultural space in Frankfurt Höchst.
035. Stressed Desserts
A publication by Chiara Marcassa and Olga Hohmann on invisible work and invisible workers. Between seriality and repetition, duty and vocation, melancholy and excess — on the ways and burdens of female labour. Published by windpark books, printed in 28 working hours on a Risograph EZ 570 E.
043. What Was Design?
What was design? Declarations and definitions from a century of creative quest by Florian Walzel pits 87 historical one-sentence answers from practitioners, theorists, and philosophers against one another. The result is a web of radical short-form definitions that remain strikingly contradictory in their references.
043. What Was Design?
What was design? Declarations and definitions from a century of creative quest by Florian Walzel pits 87 historical one-sentence answers from practitioners, theorists, and philosophers against one another. The result is a web of radical short-form definitions that remain strikingly contradictory in their references.
043. What Was Design?
What was design? Declarations and definitions from a century of creative quest by Florian Walzel pits 87 historical one-sentence answers from practitioners, theorists, and philosophers against one another. The result is a web of radical short-form definitions that remain strikingly contradictory in their references.
043. What Was Design?
What was design? Declarations and definitions from a century of creative quest by Florian Walzel pits 87 historical one-sentence answers from practitioners, theorists, and philosophers against one another. The result is a web of radical short-form definitions that remain strikingly contradictory in their references.
043. What Was Design?
What was design? Declarations and definitions from a century of creative quest by Florian Walzel pits 87 historical one-sentence answers from practitioners, theorists, and philosophers against one another. The result is a web of radical short-form definitions that remain strikingly contradictory in their references.
043. What Was Design?
What was design? Declarations and definitions from a century of creative quest by Florian Walzel pits 87 historical one-sentence answers from practitioners, theorists, and philosophers against one another. The result is a web of radical short-form definitions that remain strikingly contradictory in their references.
043. What Was Design?
What was design? Declarations and definitions from a century of creative quest by Florian Walzel pits 87 historical one-sentence answers from practitioners, theorists, and philosophers against one another. The result is a web of radical short-form definitions that remain strikingly contradictory in their references.
Ereignis
Alltag
Endlos
Langsamkeit
Nichts
Happening
Ewigkeit
Ziellos
Unproduktivität
Jetzt
Erwartung
Gegenwart
Leerstelle
Stille
Absichtslosigkeit
Anfang
Aufmerksamkeit
Pause
Ende
Warten
Ablenkung
Kontemplation
Vergangenheit
Dauer
Zeit
Zwischenraum
* from the Glossary of my Diploma → dipl.designer.paul-juergens.de
044.1 SCHEME TQW Zine #3
A zine for Tanzquartier Wien that goes backstage — showing scores, notes and works in progress. Edited by Mira Mann and Jonas Höschl, with contributions spanning dance, visual art and political practice. With contributions by Mira Mann, Jonas Höschl, Hana O. O. Haas, Bernd Oppl, Kurdwin Ayub, Seda Pesen, Ian Kaler, Schandwache / Simon Nagy, Sophie Thun, Julischka Stengele, Total Refusal, Verifiziert, KEINE LIEBE Kollektiv / Paula Thöner, Safira Robens and Mavi Phoenix.
044.1 SCHEME TQW Zine #3
A zine for Tanzquartier Wien that goes backstage — showing scores, notes and works in progress. Edited by Mira Mann and Jonas Höschl, with contributions spanning dance, visual art and political practice. With contributions by Mira Mann, Jonas Höschl, Hana O. O. Haas, Bernd Oppl, Kurdwin Ayub, Seda Pesen, Ian Kaler, Schandwache / Simon Nagy, Sophie Thun, Julischka Stengele, Total Refusal, Verifiziert, KEINE LIEBE Kollektiv / Paula Thöner, Safira Robens and Mavi Phoenix.
044.1 SCHEME TQW Zine #3
A zine for Tanzquartier Wien that goes backstage — showing scores, notes and works in progress. Edited by Mira Mann and Jonas Höschl, with contributions spanning dance, visual art and political practice. With contributions by Mira Mann, Jonas Höschl, Hana O. O. Haas, Bernd Oppl, Kurdwin Ayub, Seda Pesen, Ian Kaler, Schandwache / Simon Nagy, Sophie Thun, Julischka Stengele, Total Refusal, Verifiziert, KEINE LIEBE Kollektiv / Paula Thöner, Safira Robens and Mavi Phoenix.
044.1 SCHEME TQW Zine #3
A zine for Tanzquartier Wien that goes backstage — showing scores, notes and works in progress. Edited by Mira Mann and Jonas Höschl, with contributions spanning dance, visual art and political practice. With contributions by Mira Mann, Jonas Höschl, Hana O. O. Haas, Bernd Oppl, Kurdwin Ayub, Seda Pesen, Ian Kaler, Schandwache / Simon Nagy, Sophie Thun, Julischka Stengele, Total Refusal, Verifiziert, KEINE LIEBE Kollektiv / Paula Thöner, Safira Robens and Mavi Phoenix.
044.1 SCHEME TQW Zine #3
A zine for Tanzquartier Wien that goes backstage — showing scores, notes and works in progress. Edited by Mira Mann and Jonas Höschl, with contributions spanning dance, visual art and political practice. With contributions by Mira Mann, Jonas Höschl, Hana O. O. Haas, Bernd Oppl, Kurdwin Ayub, Seda Pesen, Ian Kaler, Schandwache / Simon Nagy, Sophie Thun, Julischka Stengele, Total Refusal, Verifiziert, KEINE LIEBE Kollektiv / Paula Thöner, Safira Robens and Mavi Phoenix.
044.1 SCHEME TQW Zine #3
A zine for Tanzquartier Wien that goes backstage — showing scores, notes and works in progress. Edited by Mira Mann and Jonas Höschl, with contributions spanning dance, visual art and political practice. With contributions by Mira Mann, Jonas Höschl, Hana O. O. Haas, Bernd Oppl, Kurdwin Ayub, Seda Pesen, Ian Kaler, Schandwache / Simon Nagy, Sophie Thun, Julischka Stengele, Total Refusal, Verifiziert, KEINE LIEBE Kollektiv / Paula Thöner, Safira Robens and Mavi Phoenix.
044.1 SCHEME TQW Zine #3
A zine for Tanzquartier Wien that goes backstage — showing scores, notes and works in progress. Edited by Mira Mann and Jonas Höschl, with contributions spanning dance, visual art and political practice. With contributions by Mira Mann, Jonas Höschl, Hana O. O. Haas, Bernd Oppl, Kurdwin Ayub, Seda Pesen, Ian Kaler, Schandwache / Simon Nagy, Sophie Thun, Julischka Stengele, Total Refusal, Verifiziert, KEINE LIEBE Kollektiv / Paula Thöner, Safira Robens and Mavi Phoenix.
044.1 SCHEME TQW Zine #3
A zine for Tanzquartier Wien that goes backstage — showing scores, notes and works in progress. Edited by Mira Mann and Jonas Höschl, with contributions spanning dance, visual art and political practice. With contributions by Mira Mann, Jonas Höschl, Hana O. O. Haas, Bernd Oppl, Kurdwin Ayub, Seda Pesen, Ian Kaler, Schandwache / Simon Nagy, Sophie Thun, Julischka Stengele, Total Refusal, Verifiziert, KEINE LIEBE Kollektiv / Paula Thöner, Safira Robens and Mavi Phoenix.
041. Gerhard-Altenbourg-Preis 2025
Dieter Appelt Gerhard-Altenbourg-Preis 2025, Book design for Kerber and Lindenau-Museum Altenburg
Since the 1960s, Berlin-based artist Dieter Appelt has used photography to confront loss, transience, and the conditions of human existence. Trained as a musician and opera singer, he turned to photography as a way to reconnect with nature, myth, and time. In many of his actions, he used his own body as both subject and material — staging images that oscillate between ritual, endurance, and transformation.
Typography as structure.
Image as trace.
041. Gerhard-Altenbourg-Preis 2025
Dieter Appelt Gerhard-Altenbourg-Preis 2025, Book design for Kerber and Lindenau-Museum Altenburg
Since the 1960s, Berlin-based artist Dieter Appelt has used photography to confront loss, transience, and the conditions of human existence. Trained as a musician and opera singer, he turned to photography as a way to reconnect with nature, myth, and time. In many of his actions, he used his own body as both subject and material — staging images that oscillate between ritual, endurance, and transformation.
Typography as structure.
Image as trace.
041. Gerhard-Altenbourg-Preis 2025
Dieter Appelt Gerhard-Altenbourg-Preis 2025, Book design for Kerber and Lindenau-Museum Altenburg
Since the 1960s, Berlin-based artist Dieter Appelt has used photography to confront loss, transience, and the conditions of human existence. Trained as a musician and opera singer, he turned to photography as a way to reconnect with nature, myth, and time. In many of his actions, he used his own body as both subject and material — staging images that oscillate between ritual, endurance, and transformation.
Typography as structure.
Image as trace.
041. Gerhard-Altenbourg-Preis 2025
Dieter Appelt Gerhard-Altenbourg-Preis 2025, Book design for Kerber and Lindenau-Museum Altenburg
Since the 1960s, Berlin-based artist Dieter Appelt has used photography to confront loss, transience, and the conditions of human existence. Trained as a musician and opera singer, he turned to photography as a way to reconnect with nature, myth, and time. In many of his actions, he used his own body as both subject and material — staging images that oscillate between ritual, endurance, and transformation.
Typography as structure.
Image as trace.
041. Gerhard-Altenbourg-Preis 2025
Dieter Appelt Gerhard-Altenbourg-Preis 2025, Book design for Kerber and Lindenau-Museum Altenburg
Since the 1960s, Berlin-based artist Dieter Appelt has used photography to confront loss, transience, and the conditions of human existence. Trained as a musician and opera singer, he turned to photography as a way to reconnect with nature, myth, and time. In many of his actions, he used his own body as both subject and material — staging images that oscillate between ritual, endurance, and transformation.
Typography as structure.
Image as trace.
041. Gerhard-Altenbourg-Preis 2025
Dieter Appelt Gerhard-Altenbourg-Preis 2025, Book design for Kerber and Lindenau-Museum Altenburg
Since the 1960s, Berlin-based artist Dieter Appelt has used photography to confront loss, transience, and the conditions of human existence. Trained as a musician and opera singer, he turned to photography as a way to reconnect with nature, myth, and time. In many of his actions, he used his own body as both subject and material — staging images that oscillate between ritual, endurance, and transformation.
Typography as structure.
Image as trace.
041. Gerhard-Altenbourg-Preis 2025
Dieter Appelt Gerhard-Altenbourg-Preis 2025, Book design for Kerber and Lindenau-Museum Altenburg
Since the 1960s, Berlin-based artist Dieter Appelt has used photography to confront loss, transience, and the conditions of human existence. Trained as a musician and opera singer, he turned to photography as a way to reconnect with nature, myth, and time. In many of his actions, he used his own body as both subject and material — staging images that oscillate between ritual, endurance, and transformation.
Typography as structure.
Image as trace.
046.1 I LOVE MUSIC
A poster series of nine for listening sessions with artists in Berlin's Hansaviertel, organised by Leonie Herweg / Grotto Berlin.
027. Stadtlabor Richtsberg
A series of 104 posters for Stadtlabor Marburg, welcoming new and existing community spaces in the Richtsberg neighbourhood. Each poster produced in six languages.
042. On Having Cake and Eating It Too
A publication collecting 21 letters by Lara Bellon.
042. On Having Cake and Eating It Too
A publication collecting 21 letters by Lara Bellon.
042. On Having Cake and Eating It Too
A publication collecting 21 letters by Lara Bellon.
042. On Having Cake and Eating It Too
A publication collecting 21 letters by Lara Bellon.
042. On Having Cake and Eating It Too
A publication collecting 21 letters by Lara Bellon.
042. On Having Cake and Eating It Too
A publication collecting 21 letters by Lara Bellon.
042. On Having Cake and Eating It Too
A publication collecting 21 letters by Lara Bellon.
038. Jugendschutzgesetz
The youth protection act must be visibly displayed in every café, bar and restaurant — usually it ends up somewhere between the door and the counter. A poster for Cafe Tiergarten Berlin that turns obligation into something worth looking at. Available in their online shop.
038. Jugendschutzgesetz
The youth protection act must be visibly displayed in every café, bar and restaurant — usually it ends up somewhere between the door and the counter. A poster for Cafe Tiergarten Berlin that turns obligation into something worth looking at. Available in their online shop.
030.1 In Situ
A reader published by windpark books on the occasion of the exhibition In Situ – On Haunted Places and New Memory Culture at Kunsthalle Darmstadt, curated by Jonas Höschl, Kai Altheim and Schmidt Occino. With texts by Schandwache, Abie Franklin, Bastian Gehbauer, Leon Kahane, Hannah Katalin, Talya Feldman, Jonas Höschl and Kai Altheim.
039.2 Raum für kulturelle Fragen
Logo animation for a cultural space in Frankfurt Höchst.
035. Stressed Desserts
A publication by Chiara Marcassa and Olga Hohmann on invisible work and invisible workers. Between seriality and repetition, duty and vocation, melancholy and excess — on the ways and burdens of female labour. Published by windpark books, printed in 28 working hours on a Risograph EZ 570 E.
043. What Was Design?
What was design? Declarations and definitions from a century of creative quest by Florian Walzel pits 87 historical one-sentence answers from practitioners, theorists, and philosophers against one another. The result is a web of radical short-form definitions that remain strikingly contradictory in their references.
043. What Was Design?
What was design? Declarations and definitions from a century of creative quest by Florian Walzel pits 87 historical one-sentence answers from practitioners, theorists, and philosophers against one another. The result is a web of radical short-form definitions that remain strikingly contradictory in their references.
043. What Was Design?
What was design? Declarations and definitions from a century of creative quest by Florian Walzel pits 87 historical one-sentence answers from practitioners, theorists, and philosophers against one another. The result is a web of radical short-form definitions that remain strikingly contradictory in their references.
043. What Was Design?
What was design? Declarations and definitions from a century of creative quest by Florian Walzel pits 87 historical one-sentence answers from practitioners, theorists, and philosophers against one another. The result is a web of radical short-form definitions that remain strikingly contradictory in their references.
043. What Was Design?
What was design? Declarations and definitions from a century of creative quest by Florian Walzel pits 87 historical one-sentence answers from practitioners, theorists, and philosophers against one another. The result is a web of radical short-form definitions that remain strikingly contradictory in their references.
043. What Was Design?
What was design? Declarations and definitions from a century of creative quest by Florian Walzel pits 87 historical one-sentence answers from practitioners, theorists, and philosophers against one another. The result is a web of radical short-form definitions that remain strikingly contradictory in their references.
043. What Was Design?
What was design? Declarations and definitions from a century of creative quest by Florian Walzel pits 87 historical one-sentence answers from practitioners, theorists, and philosophers against one another. The result is a web of radical short-form definitions that remain strikingly contradictory in their references.